I distribute your artistic projects until they become memorable.

I have managed the distribution of dozens of artistic projects over the past 9 years, with a single credo: to make them memorable in the minds of the public.

Write to Annelise

My work

I distribute artistic projects initiated by artists, art professionals, institutions, or companies. Distribution involves ensuring that the artistic project finds its audience and buyers. This includes communication, press relations, digital visibility, and connecting with collectors, partners, and institutions. Because a project that isn't seen doesn't exist.

Remuneration:

Fixed price (quote available upon request)
Fixed salary + sales commission
Commission only (only for 3 artist series per year, solid evidence of existing market)

Communication

I construct the narrative that accompanies the project, using words that explain without simplifying, that inspire without overselling. Press releases, press kits, captions, presentation texts: each format has its own codes, each audience has its own language.

Relations presse

I know who to send what to, and how. Journalists, critics, cultural media, mainstream press... I build the angles, I follow up, and I transform an exhibition into a topic that people talk about.

Visibilité numérique

Social media, newsletters, online coverage—I see a project's digital presence as an extension of its message, not as a checkbox. The goal: to reach the right audiences, not just rack up views.

Collectors

Serious collectors don't approach you like the general public. I know how to identify them, approach them, and create the conditions for a relationship of trust—the kind that transforms interest into acquisition.

Business collaborations

Brands, sponsors, or even co-producers, I make the connections that allow a project to find the support it needs to exist on the right scale.

Institutional collaborations

Museums, art centers, local authorities, foundations – I know how to enter these ecosystems, who to talk to, and how to present a project so that it is taken seriously. An institutional relationship is built over time.

How does it begin?

I don't take on every project that comes my way. I choose the ones I believe in. The initial call is to understand your current situation, what you're building, and whether I'm the right person to help you. After that, we define the scope of the project, the objectives, and the working methods together.

01/ A 30-minute discovery call

Vous me racontez votre projet, vos blocages, vos ambitions. Je pose des questions directes. On voit si ça a du sens de travailler ensemble. Pas de vente, pas de pitch, mais une conversation honnête.

02/ A diagnostic if the project interests me

I analyze your situation, identify the key factors, and propose an action plan with a clear scope of work. This includes what I will do, what it will take, and what we can reasonably expect.

03/ We work

I am committed to your project. Regularly, not sporadically. You have access to me, my network, and my expertise. I keep you informed of my activities and progress.

Write to Annelise

A project,
to be developed?
Let's talk about it.

Describe your needs in five to ten lines. I'll get back to you so we can schedule a discovery call to see if it makes sense to collaborate.

Write to Annelise

I distribute your artistic projects until they become memorable.

My work

How does it begin?

A project, to be developed? Let's talk about it.

A project,
to be developed?
Let's talk about it.