I curate your exhibition projects to make them memorable.

I have organized and curated dozens of exhibitions over the past 9 years, with one credo: to make them memorable in the minds of the public.

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My work

I curate exhibitions in various formats for art professionals, companies, and institutions : in public spaces, museums, trade fair booths, galleries, corporate premises, and at brand events. I select the artworks, develop the narrative, and create the experience.

Remuneration:

Fixed price (quote available upon request)
Fixed salary + sales commission
Commission only (only for 3 solo artist shows per year, solid evidence of existing market)

Expositions dans l'espace public

Public space is the only place where art encounters people who haven't sought it out. I design exhibitions conceived for the street, squares, facades, projects that speak to everyone and make people stop in their daily lives.

Example : Marianne(s), 60 meters long exhibition on the main square in Nice.

Museum exhibitions

The museum imposes its own rules and constraints. I work with the existing teams to build a coherent narrative, a suitable scenography, and an experience that endures over time, from the selection of artworks to the final installation.

Example : Marianne(s) at the Postal Museum in Paris or June Kim at the Museum of Arts and Crafts on the occasion of the AI Summit.

Fairground stalls

At a fair, you have three seconds to stop someone. I design stands that stand out, that tell a story, and that turn passersby into conversations, and conversations into sales.

Example: MENART Fair 2024, Art Girls gallery stand.

Gallery exhibitions

The gallery is a space for concentration. I select the works, build the dialogue between them, and create the conditions for the visitor to leave with something they didn't have when they entered, an emotion, a question, and ideally a piece under their arm.

Example : the UNDER-expo at the IHAM Gallery on the occasion of NFT Paris.

Exhibition about a brand's event

At an event, art creates a memorable experience that communication alone cannot produce. I design artistic installations tailored to your audience, your message, and your specific moment—not decorative installations that are forgotten upon leaving.

Example: Seiko Phoenix for Polygon at ETHCC Cannes 2025.

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What I do as a curator

From the selection of works to the final hanging: what the job of a curator actually entails.

Sélection des oeuvres

Choosing what goes in, what doesn't, and why. Selection is the first curatorial act; it defines the purpose even before anyone enters the space.

Construction du propos

An exhibition says something. I define the central theme, the title, the intentions, in other words what the visitor should take away with them once they leave.

Scénographie

The organization of space, the flow of movement, the lighting, the hanging heights, the distances between the works. Exhibition design is what makes us feel something even before we've looked at a single piece.

Textes et médiation

Labels, gallery texts, press kits, guided tours... I translate the content into accessible language without betraying the complexity of the works. Art shouldn't need a dictionary to exist.

Relation aux artistes

Working with artists, not in their place. Understanding their intention, respecting their work, and building together the exhibition they deserve, not one that suits logistics.

Accrochage et installation

The phase where everything really comes together. I supervise the installation, I arbitrate the final adjustments, I make sure that what was planned on paper actually exists in the space.

Programmation parallèle

Meetings, performances, visits, workshops – these are the events that keep the exhibition alive over time and reach different audiences.

Monitoring and documentation

Photos, videos, archives, final report. An exhibition that is not documented only existed for those who were there.

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How does it begin?

I don't take on every project that comes my way. I choose the ones I believe in. The initial call is to understand your current situation, what you're building, and whether I'm the right person to help you. After that, we define the scope of the project, the objectives, and the working methods together.

01/ Un appel découverte de 30 minutes

You tell me about your project, your obstacles, your ambitions. I ask direct questions. We see if it makes sense to work together. No sales pitch, no sales pitch, just an honest conversation.

02/ Un diagnostic si le projet m'intéresse

I analyze your situation, identify the key factors, and propose an action plan with a clear scope of work. This includes what I will do, what it will take, and what we can reasonably expect.

03/ We work

I am committed to your project. Regularly, not sporadically. You have access to me, my network, and my expertise. I keep you informed of my activities and progress.

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A project,
to be developed?
Let's talk about it.

Describe your situation in five to ten lines. I'll reply so we can schedule a discovery call to see if it makes sense to collaborate.

Write to Annelise

I curate your exhibition projects to make them memorable.

My work

What I do as a curator

How does it begin?

A project, to be developed? Let's talk about it.

A project,
to be developed?
Let's talk about it.